SAM WILLS.
Wired Masters Studio
Precyzja dla polskich producentów

Warsaw Stem Mastering

Odblokuj głębszą kontrolę miksu dla swoich produkcji z Warszawy dzięki profesjonalnemu stem masteringowi.

Proces Stem Masteringu

Wizyta w studio nie jest wymagana. Cały proces odbywa się online — od przesłania pliku po końcową dostawę. Artyści od Nowego Jorku po Tokio, od Berlina po São Paulo powierzają Samowi swoje wydawnictwa.

01

Wyślij swoje stemy

Eksportuj stemy w określonych grupach dla maksymalnej kontroli: Kick (zawsze osobno), Perkusja niskich częstotliwości (tomy, niskie perc), Perkusja wysokich częstotliwości (haty, clapy, toppery), Bas, Muzyka (syntezatory, melodyczne), Wokale i FX. Dostarcz je z tą samą częstotliwością próbkowania co Twój projekt, bez przetwarzania szyny masteringowej z wyjątkiem tego, co jest integralną częścią vibe'u.

02

Sesja przetwarzania stemów

Dzięki indywidualnej kontroli stemów Sam może rozwiązać problemy, których stereomaster nie jest w stanie dotknąć — niezależne ocieplenie niskich częstotliwości w kicku i basie, dodanie powietrza do wysokich tonów bez ciągnięcia środka, lub dopracowanie balansu energetycznego między perkusją a warstwą muzyczną. Rezultatem jest spójniejszy, mocniejszy master gotowy dla Good Company, Defected lub każdej głównej wytwórni.

03

Rundy poprawek i dostawa

Otrzymujesz gotowy do wydania stereomaster. Sesja trwa zazwyczaj 1–1,5 godziny i jest rozliczana godzinowo, z finalnym masterem w cenie.

Co jest wliczone

  • EQ, kompresja i saturacja na poziomie indywidualnych stemów
  • Ocieplenie niskich częstotliwości kicku, basu i subbasu niezależnie
  • Kształtowanie transjentów perkusji bez wpływu na cały miks
  • Korekcja balansu wokali i FX na etapie masteringu
  • Docelowe poziomy głośności dla klubów i streamingu
  • Finalny stereomaster wliczony w stawkę sesyjną
  • Idealny dla house, techno, drum & bass i muzyki elektronicznej
  • Dostawa WAV w pełnej rozdzielczości
  • Używany przez artystów z Defected, Good Company, Glitterbox, Armada, Soulfuric, Blackbook, WUGD

Stem Mastering

£200 / hour (~$250 USD / ~€230 EUR / ~860 PLN)

Minimum 1 godzina. Typowa sesja trwa 1–1,5 godziny. Bez VAT. Ostateczna faktura w GBP, przeliczana na lokalną walutę według aktualnych kursów. Finalny master wliczony.

Poproś o wycenę

Stem mastering is the middle ground between a full mix and a stereo master. Where stereo mastering works from a single finished file, stem mastering gives Sam individual control over grouped elements: kick, bass, drums, synths, vocals and FX. This allows corrections and enhancements that simply are not possible from a stereo file.

It is the go-to choice when a stereo master is not quite cutting it. Muddy low-end, a kick that is not punching through, a vocal sitting awkwardly in the mix. These are all problems stem mastering can solve without sending the track back for a full mix.

Typical sessions run 1 to 1.5 hours. The final stereo master is included in the session rate. Fully online, with artists submitting stems from anywhere in the world.

Opinie

Trusted by industry heavyweights.

"

"Sam has an incredible ear and a deep understanding of how the records I produce need to translate everywhere—from the studio to the club to streaming. He consistently takes my productions and elevates them, bringing clarity, power, and emotion to the final mix."

Dave Audé

Grammy Winning Producer, Remixer & Songwriter
"

"Love working with Sam, we've been using his mastering for over 6 years already. Many different genres and all came out how we wanted, giving that extra edge to the track. He works fast and delivers the masters in a few days or even the same day if we have a very last minute request."

MOTi

Lukas Romme | Management
"

"We've been working with Sam for over five years and can highly recommend him as an engineer. He consistently delivers excellent results, pays close attention to detail and references, and is always reliable with revisions and deadlines. Whether it's stereo or stem mastering, his work is spot on."

Manuel Lacher

A&R | Place Called Home
"

"As a solo producer, it's paramount to have an additional fresh pair of ears on a mix and Sam has the freshest Pair. I have personally chosen Sam for many projects over many years. Working with him is an absolute pleasure. Always with quick, professional responses and a fast turnaround. I have used Wired Mastering for over 10 years now with no regrets. They genuinely understand the tiny nuances of different genres and production styles. That makes the difference between your music being played and your music being heard."

Freejak

DJ / Producer
"

"I've worked with Sam for many years, and he's become an essential part of my process. He listens carefully, understands the direction, and consistently elevates the track. That final stage brings a level of clarity and confidence that lets me know the record is truly finished."

John Monkman

Producer
"

"Sam has an incredible ear and a deep understanding of how the records I produce need to translate everywhere—from the studio to the club to streaming. He consistently takes my productions and elevates them, bringing clarity, power, and emotion to the final mix."

Dave Audé

Grammy Winning Producer, Remixer & Songwriter
"

"Love working with Sam, we've been using his mastering for over 6 years already. Many different genres and all came out how we wanted, giving that extra edge to the track. He works fast and delivers the masters in a few days or even the same day if we have a very last minute request."

MOTi

Lukas Romme | Management
"

"We've been working with Sam for over five years and can highly recommend him as an engineer. He consistently delivers excellent results, pays close attention to detail and references, and is always reliable with revisions and deadlines. Whether it's stereo or stem mastering, his work is spot on."

Manuel Lacher

A&R | Place Called Home
"

"As a solo producer, it's paramount to have an additional fresh pair of ears on a mix and Sam has the freshest Pair. I have personally chosen Sam for many projects over many years. Working with him is an absolute pleasure. Always with quick, professional responses and a fast turnaround. I have used Wired Mastering for over 10 years now with no regrets. They genuinely understand the tiny nuances of different genres and production styles. That makes the difference between your music being played and your music being heard."

Freejak

DJ / Producer
"

"I've worked with Sam for many years, and he's become an essential part of my process. He listens carefully, understands the direction, and consistently elevates the track. That final stage brings a level of clarity and confidence that lets me know the record is truly finished."

John Monkman

Producer

Certyfikaty Platynowe, Złote i Srebrne

James Hype - More Than Friends
James Hype - More Than Friends
James Hype - Afraid
James Hype - Afraid
James Hype feat. DPD & Ayak - I Was Lovin' You
James Hype feat. DPD & Ayak - I Was Lovin' You
Mike Mago & Dragonette - Outlines
Mike Mago & Dragonette - Outlines
Navos - Believe
Navos - Believe

Spotify Mixes

Curated selections of my latest work

Sam Wills studio room

Studio

Monitoring i przetwarzanie na światowym poziomie.

Located within the renowned Wired Masters complex in London, Sam's studio is acoustically treated to the highest standards and equipped with a selection of premium analog and digital tools.

Monitoring

  • PMC MB2-XBD-A main monitors
  • Yamaha NS10s + Bryston 4B SST amplification
  • Audeze MM-500 reference headphones

Conversion & Monitor Control

  • Prism Morpheus 24-bit / 192kHz converters
  • Grace Design M905 monitor controller

Amplification

  • Bryston 10B/LR active crossovers
  • Bryston 7B SST power amplifiers
  • Bryston 4B SST power amplifiers

Cabling & Infrastructure

  • Van Damme & Van Den Hul audio cables
  • Apogee digital cabling

Gotowy na potężniejsze brzmienie?

Skontaktuj się, aby omówić swój projekt, terminy i ceny.

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